One Altered Degree Apart

Stand on any mode and see every scale that differs from it in a single degree, then read the whole list: each pair of modes, across the seven families, that one semitone separates.

From Ionian (diatonic, mode 1)

Its degrees: 1 2 3 4 5 6 7. Six altered degrees land on a mode the atlas declares.

Reflected around its root: Phrygian (diatonic, mode 3).

What counts as a neighbour

Stand on a mode, choose one of its degrees other than the root, and raise or lower it a semitone. If the result still has seven notes in the same order and is a mode of one of the seven families, the two modes are neighbours, and the row says which degree changed and in which direction. The root never changes: a mode keeps its starting note, so a neighbour is always read from the same place.

Reading the panel

The panel above opens on Ionian. Choose another mode and it lists every degree that can be altered into a declared mode, links each result to its row on its family page, and says where the mode lands when it is reflected around its root. The choice stays on this page: nothing is added to the address, stored, or sent.

Reading the full list

Below the panel is every pair once, grouped by the pair of families it joins and written in the raising direction: the lower mode, the degree raised, and the mode it becomes. Read a row backwards and it is the same pair with that degree lowered. Pairs inside a single family occur only among the diatonic modes, where a chain of single alterations runs from Lydian down to Locrian.

Why some modes have so few

A mode has at most twelve single alterations — six degrees, each up or down — and many of them run into the next note or leave the atlas. The pairs listed here are the ones that stay inside the seven declared families, which is why one mode may have half a dozen neighbours and another only two.

Every pair: 96 of them, in fourteen groups

Inside the diatonic family: six pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Ionian (diatonic 1) the 4th: 4 to #4 Lydian (diatonic 4)
Dorian (diatonic 2) the 3rd: b3 to 3 Mixolydian (diatonic 5)
Phrygian (diatonic 3) the 2nd: b2 to 2 Aeolian (diatonic 6)
Mixolydian (diatonic 5) the 7th: b7 to 7 Ionian (diatonic 1)
Aeolian (diatonic 6) the 6th: b6 to 6 Dorian (diatonic 2)
Locrian (diatonic 7) the 5th: b5 to 5 Phrygian (diatonic 3)

Diatonic and melodic minor: twelve pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Dorian (diatonic 2) the 7th: b7 to 7 Ascending melodic minor (melodic minor 1)
Phrygian (diatonic 3) the 6th: b6 to 6 Dorian b2 (melodic minor 2)
Lydian (diatonic 4) the 5th: 5 to #5 Lydian augmented (melodic minor 3)
Mixolydian (diatonic 5) the 4th: 4 to #4 Acoustic (melodic minor 4)
Aeolian (diatonic 6) the 3rd: b3 to 3 Aeolian dominant (melodic minor 5)
Locrian (diatonic 7) the 2nd: b2 to 2 Half-diminished (melodic minor 6)
Ascending melodic minor (melodic minor 1) the 3rd: b3 to 3 Ionian (diatonic 1)
Dorian b2 (melodic minor 2) the 2nd: b2 to 2 Dorian (diatonic 2)
Acoustic (melodic minor 4) the 7th: b7 to 7 Lydian (diatonic 4)
Aeolian dominant (melodic minor 5) the 6th: b6 to 6 Mixolydian (diatonic 5)
Half-diminished (melodic minor 6) the 5th: b5 to 5 Aeolian (diatonic 6)
Altered (melodic minor 7) the 4th: b4 to 4 Locrian (diatonic 7)

Diatonic and harmonic minor: six pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Ionian (diatonic 1) the 5th: 5 to #5 Ionian #5 (harmonic minor 3)
Dorian (diatonic 2) the 4th: 4 to #4 Ukrainian Dorian (harmonic minor 4)
Phrygian (diatonic 3) the 3rd: b3 to 3 Phrygian Dominant (harmonic minor 5)
Lydian (diatonic 4) the 2nd: 2 to #2 Lydian #2 (harmonic minor 6)
Aeolian (diatonic 6) the 7th: b7 to 7 Harmonic minor (harmonic minor 1)
Locrian (diatonic 7) the 6th: b6 to 6 Locrian #6 (harmonic minor 2)

Diatonic and harmonic major: six pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Harmonic major (harmonic major 1) the 6th: b6 to 6 Ionian (diatonic 1)
Dorian b5 (harmonic major 2) the 5th: b5 to 5 Dorian (diatonic 2)
Phrygian b4 (harmonic major 3) the 4th: b4 to 4 Phrygian (diatonic 3)
Lydian b3 (harmonic major 4) the 3rd: b3 to 3 Lydian (diatonic 4)
Mixolydian b2 (harmonic major 5) the 2nd: b2 to 2 Mixolydian (diatonic 5)
Locrian bb7 (harmonic major 7) the 7th: bb7 to b7 Locrian (diatonic 7)

Diatonic and Neapolitan minor: six pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Ionian (diatonic 1) the 2nd: 2 to #2 Ionian/Major #2 (Neapolitan minor 6)
Phrygian (diatonic 3) the 7th: b7 to 7 Neapolitan Minor (Neapolitan minor 1)
Lydian (diatonic 4) the 6th: 6 to #6 Lydian #6 (Neapolitan minor 2)
Mixolydian (diatonic 5) the 5th: 5 to #5 Mixolydian Augmented (Neapolitan minor 3)
Aeolian (diatonic 6) the 4th: 4 to #4 Romani Minor (Neapolitan minor 4)
Locrian (diatonic 7) the 3rd: b3 to 3 Locrian Dominant (Neapolitan minor 5)

Melodic minor and harmonic minor: six pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Harmonic minor (harmonic minor 1) the 6th: b6 to 6 Ascending melodic minor (melodic minor 1)
Locrian #6 (harmonic minor 2) the 5th: b5 to 5 Dorian b2 (melodic minor 2)
Ionian #5 (harmonic minor 3) the 4th: 4 to #4 Lydian augmented (melodic minor 3)
Ukrainian Dorian (harmonic minor 4) the 3rd: b3 to 3 Acoustic (melodic minor 4)
Phrygian Dominant (harmonic minor 5) the 2nd: b2 to 2 Aeolian dominant (melodic minor 5)
Altered Diminished (harmonic minor 7) the 7th: bb7 to b7 Altered (melodic minor 7)

Melodic minor and harmonic major: six pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Ascending melodic minor (melodic minor 1) the 4th: 4 to #4 Lydian b3 (harmonic major 4)
Dorian b2 (melodic minor 2) the 3rd: b3 to 3 Mixolydian b2 (harmonic major 5)
Lydian augmented (melodic minor 3) the 2nd: 2 to #2 Lydian Augmented #2 (harmonic major 6)
Aeolian dominant (melodic minor 5) the 7th: b7 to 7 Harmonic major (harmonic major 1)
Half-diminished (melodic minor 6) the 6th: b6 to 6 Dorian b5 (harmonic major 2)
Altered (melodic minor 7) the 5th: b5 to 5 Phrygian b4 (harmonic major 3)

Melodic minor and Neapolitan major: twelve pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Dorian b2 (melodic minor 2) the 7th: b7 to 7 Neapolitan Major (Neapolitan major 1)
Lydian augmented (melodic minor 3) the 6th: 6 to #6 Leading Whole Tone (Neapolitan major 2)
Acoustic (melodic minor 4) the 5th: 5 to #5 Lydian Augmented Dominant (Neapolitan major 3)
Aeolian dominant (melodic minor 5) the 4th: 4 to #4 Lydian Dominant b6 (Neapolitan major 4)
Half-diminished (melodic minor 6) the 3rd: b3 to 3 Major Locrian (Neapolitan major 5)
Altered (melodic minor 7) the 2nd: b2 to 2 Half-Diminished b4 (Neapolitan major 6)
Neapolitan Major (Neapolitan major 1) the 2nd: b2 to 2 Ascending melodic minor (melodic minor 1)
Lydian Augmented Dominant (Neapolitan major 3) the 7th: b7 to 7 Lydian augmented (melodic minor 3)
Lydian Dominant b6 (Neapolitan major 4) the 6th: b6 to 6 Acoustic (melodic minor 4)
Major Locrian (Neapolitan major 5) the 5th: b5 to 5 Aeolian dominant (melodic minor 5)
Half-Diminished b4 (Neapolitan major 6) the 4th: b4 to 4 Half-diminished (melodic minor 6)
Altered Dominant bb3 (Neapolitan major 7) the 3rd: bb3 to b3 Altered (melodic minor 7)

Harmonic minor and harmonic major: six pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Harmonic minor (harmonic minor 1) the 3rd: b3 to 3 Harmonic major (harmonic major 1)
Locrian #6 (harmonic minor 2) the 2nd: b2 to 2 Dorian b5 (harmonic major 2)
Ukrainian Dorian (harmonic minor 4) the 7th: b7 to 7 Lydian b3 (harmonic major 4)
Phrygian Dominant (harmonic minor 5) the 6th: b6 to 6 Mixolydian b2 (harmonic major 5)
Lydian #2 (harmonic minor 6) the 5th: 5 to #5 Lydian Augmented #2 (harmonic major 6)
Altered Diminished (harmonic minor 7) the 4th: b4 to 4 Locrian bb7 (harmonic major 7)

Harmonic minor and double harmonic: six pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Harmonic minor (harmonic minor 1) the 4th: 4 to #4 Hungarian minor (double harmonic 4)
Locrian #6 (harmonic minor 2) the 3rd: b3 to 3 Locrian natural 6 natural 3 (double harmonic 5)
Ionian #5 (harmonic minor 3) the 2nd: 2 to #2 Ionian #5 #2 (double harmonic 6)
Phrygian Dominant (harmonic minor 5) the 7th: b7 to 7 Double harmonic (double harmonic 1)
Lydian #2 (harmonic minor 6) the 6th: 6 to #6 Lydian #2 #6 (double harmonic 2)
Altered Diminished (harmonic minor 7) the 5th: b5 to 5 Phrygian bb7 b4 (double harmonic 3)

Harmonic minor and Neapolitan minor: six pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Neapolitan Minor (Neapolitan minor 1) the 2nd: b2 to 2 Harmonic minor (harmonic minor 1)
Mixolydian Augmented (Neapolitan minor 3) the 7th: b7 to 7 Ionian #5 (harmonic minor 3)
Romani Minor (Neapolitan minor 4) the 6th: b6 to 6 Ukrainian Dorian (harmonic minor 4)
Locrian Dominant (Neapolitan minor 5) the 5th: b5 to 5 Phrygian Dominant (harmonic minor 5)
Ionian/Major #2 (Neapolitan minor 6) the 4th: 4 to #4 Lydian #2 (harmonic minor 6)
Ultralocrian/Altered Diminished bb3 (Neapolitan minor 7) the 3rd: bb3 to b3 Altered Diminished (harmonic minor 7)

Harmonic major and double harmonic: six pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Double harmonic (double harmonic 1) the 2nd: b2 to 2 Harmonic major (harmonic major 1)
Phrygian bb7 b4 (double harmonic 3) the 7th: bb7 to b7 Phrygian b4 (harmonic major 3)
Hungarian minor (double harmonic 4) the 6th: b6 to 6 Lydian b3 (harmonic major 4)
Locrian natural 6 natural 3 (double harmonic 5) the 5th: b5 to 5 Mixolydian b2 (harmonic major 5)
Ionian #5 #2 (double harmonic 6) the 4th: 4 to #4 Lydian Augmented #2 (harmonic major 6)
Locrian bb3 bb7 (double harmonic 7) the 3rd: bb3 to b3 Locrian bb7 (harmonic major 7)

Double harmonic and Neapolitan minor: six pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Neapolitan Minor (Neapolitan minor 1) the 3rd: b3 to 3 Double harmonic (double harmonic 1)
Lydian #6 (Neapolitan minor 2) the 2nd: 2 to #2 Lydian #2 #6 (double harmonic 2)
Romani Minor (Neapolitan minor 4) the 7th: b7 to 7 Hungarian minor (double harmonic 4)
Locrian Dominant (Neapolitan minor 5) the 6th: b6 to 6 Locrian natural 6 natural 3 (double harmonic 5)
Ionian/Major #2 (Neapolitan minor 6) the 5th: 5 to #5 Ionian #5 #2 (double harmonic 6)
Ultralocrian/Altered Diminished bb3 (Neapolitan minor 7) the 4th: b4 to 4 Locrian bb3 bb7 (double harmonic 7)

Neapolitan major and Neapolitan minor: six pairs

Each row is one pair: the lower mode, the degree raised, and the mode it becomes.
Lower Raise Becomes
Neapolitan Minor (Neapolitan minor 1) the 6th: b6 to 6 Neapolitan Major (Neapolitan major 1)
Lydian #6 (Neapolitan minor 2) the 5th: 5 to #5 Leading Whole Tone (Neapolitan major 2)
Mixolydian Augmented (Neapolitan minor 3) the 4th: 4 to #4 Lydian Augmented Dominant (Neapolitan major 3)
Romani Minor (Neapolitan minor 4) the 3rd: b3 to 3 Lydian Dominant b6 (Neapolitan major 4)
Locrian Dominant (Neapolitan minor 5) the 2nd: b2 to 2 Major Locrian (Neapolitan major 5)
Ultralocrian/Altered Diminished bb3 (Neapolitan minor 7) the 7th: bb7 to b7 Altered Dominant bb3 (Neapolitan major 7)