What this site is for
Scales Warrior maps how scales connect and nothing else: which family a mode belongs to, which modes sit one altered degree apart, and where each family’s mirror image lands. It draws no instrument, plays no sound and gives no scale a page of its own, which is exactly why it needs the rest of the network.
Once a scale has a place on the map, the questions that follow belong elsewhere — how it lies under the hand, what it sounds like and why, how a style puts it to work. Every site below answers one of those.
Where a scale goes next
String WarriorOnce a mode has a place on the map, the hub is where to see it laid out on whichever of twenty-odd instruments is in your hands — and its scale explorer names any set you build yourself.
Theory WarriorThis site shows where the Dorian mode sits among its neighbours. That site is where the Dorian mode, and every other common scale, gets a page of its own: its formula, its sound and where it is heard.
Keys WarriorThe atlas writes every mode in degrees. That site puts those degrees under the fingers, with every scale spelled out on the keyboard in every key.
Ukulele WarriorA mode one altered degree from the one you know is a single fret away on four nylon strings; that site draws the scale shapes for every ukulele it models.
Bass WarriorA bass line walks the degrees of a mode note by note. That site is the bass itself, with the scales charted on its fretboard and the double bass beside it.
Mandolin WarriorOn a neck tuned in fifths, raising a single degree moves one finger by one fret — the atlas's neighbours made physical; that site draws every scale on the mandolin.
Guitar WarriorMost players meet the modes on a guitar fretboard first. That site is where every scale shape, and every guitar in the family, is taught in depth.
Banjo WarriorA banjo in an open tuning holds some modes under the open strings and makes others work for it; that site covers the tunings and the scale shapes that follow from them.
Fiddle WarriorA fiddle plays a mode one note at a time, so an altered degree is a finger placed a semitone higher or lower; that site is the violin family's fingerboard.
Ear WarriorThis site shows that Ionian and Lydian differ by a semitone on one degree. That one trains the ear on the smallest version of the same thing: the interval between two notes, heard and named with the page blank.
Bluegrass WarriorMany bluegrass and old-time tunes sit in the major scale or the Mixolydian mode, two neighbours one lowered seventh apart. That site is the band itself: the seats, the jam and the repertoire.
Music Warrior NetworkThe map of every sister site, for the reader who came for the scale families and now wants the site that owns the instrument or the style behind them.
Nashville WarriorA Nashville chart writes a song's chords as numbers counted up the major scale in any key. That site owns that chart; this one maps the scales the numbers count along.
Mariachi WarriorA mariachi son is voiced in sections — armonía, bass, melody — each playing its own degrees of the key; that site reads those forms section by section, for a whole ensemble.
Jazz WarriorJazz players reach for the modes of the melodic minor over dominant and half-diminished chords. That site starts from a named standard and shows what players do with it on the bandstand.
Country WarriorA country record builds its song from parts — verse, chorus, bridge — and gives each chair its job. That site maps those parts; this one maps the scales under them.
Tres WarriorA Cuban montuno cycles its figure over a few chords of one key; that site is the tres and the patterns it plays, degree by degree, over the harmony.
Sitar WarriorHindustani music groups its ragas into ten parent scales, a family system of its own; that site is the sitar and the thaats those ragas come from.
Oud WarriorArabic maqam music builds its scales from smaller cells, some with intervals no twelve-note set holds, which is where this atlas stops; that site is the oud.
Cuatro WarriorThe Puerto Rican and Venezuelan cuatros each carry a national repertoire in a handful of keys; that site is both instruments, their tunings and their strokes.
Charango WarriorAndean songs often move between a minor key and its relative major, two rotations of one diatonic set; that site is the charango that plays them.
Cavaquinho WarriorChoro melodies thread chromatic notes through the major scale; that site is the cavaquinho, the small four-string at the heart of choro and samba.
Gear WarriorA mode sounds the same on any neck, but the strings it is played on do not: that site solves gauges and tension for a whole set and says which company made them.
Blues WarriorThis site maps seven-note scales and their neighbours; the six-note blues scale sits outside it. That site plays that scale against a form, bar by bar, and marks each note chord tone, colour or rub.
Flamenco WarriorThis site places the Phrygian mode among its neighbours. That site says which palos are played in the flamenco mode built on it, which one is in a major key instead, and where on its twelve-count cycle each one's accents fall.
Progression WarriorThis site maps which mode sits next to which. That site starts from a song instead of a scale: type its chord line and it says which of those modes the song is actually in.
Music Warrior AIThis site places a scale among its neighbours. That site is for asking about one from inside an AI assistant: its notes in any key, degree-spelled so Lydian's raised fourth reads #4, and the scale page for the instrument you name, cited as the source.
How the network divides the work
Almost every site in the network publishes scales of its own; none of them maps how the scales relate. That split is deliberate: the instrument sites draw them, the theory site gives each one a page, the style sites play them, and this site shows where each one sits among the rest.
Sisters still being built are not in the list yet. Each joins the day it opens, on the same terms as the rest — one subject, one home, and a straight sentence here about why you would leave for it.